Der Vater
After: August Strindberg
Staging: Nicolas Stemann
- 45% Tragödie
- 63% Farce
- 100% Male Fragility
August Strindberg was a highly sensitive extremist living in a time of radical transformation. Initially part of an early feminist emancipation movement at the end of the 19th century, later a paranoid reactionary, in The Father he provides a seismographic record of what a patriarchal world in upheaval means. Nicolas Stemann examines the idea of modern-day men as the threatened, dangerous sex: they are on the rampage against others and themselves – even the vast majority of suicides are committed by men. Strindberg is the author providing a voice for these men and their desperate bid to “take back control”.
*** Content warning: This production contains depictions of sexualised violence and sexism and addresses the issues of suicide and mental health. ***
- Staging
- Nicolas Stemann
- Stage design
- Katrin Nottrodt
- Video
- Claudia Lehmann
- Costume design
- Marysol del Castillo
- Music
- Thomas Kürstner / Sebastian Vogel
- Rehearsal men choir
- Clayton Bowman
- Light
- Charlotte Marr
- Dramaturgy
- Benjamin von Blomberg
- Audience Development
- Silvan Gisler / Laura Rivas Kaufmann
- Production Assistance
- Leila Vidal-Sephiha
- Stage design assistance
- Johanna Bajohr
- Costume design assistance
- Sophia May
- Production intern
- Anina Steiner
- Costume design intern
- Enno Rennenkampff
- Inspection
- Eva Willenegger
- Soufflage
- Rita von Horváth
- Surtitle Riders
- PANTHEA
Transferring from Münchner Kammerspiele
- 2 Hours
- Zurich-Premiere: 1 April 2022, Pfauen
- 🛈 Introduction 30 min before the play on 24.5. and 2.6.