Maximilian Reichert
				Since graduating in 2017, Maximilian Reichert has worked primarily in contexts between theater and visual art. Formative works were created with Romeo Castellucci, Mike Bouchet for Azzedine Alaia, Alexander Giesche and Cuqui Jerez. In 2016 he created In Limbo - A Documentary Landscape About the Archaeology of the Highway Rest Stop for the Ruhrtriennale. In 2017 he conceived le cri du lapin for the far festival in Nyon. He has made guest appearances in productions at Theater Basel, Art Basel, the Festival d'Automne in Paris, the Salzburg Festival, and the Münchner Kammerspiele. In addition to his activities at the theater, he participates in radio play productions. He is the recipient of the Max Reinhardt Award of the German-speaking drama schools. He has been a permanent ensemble member of the Schauspielhaus Zürich since the 2019/20 season. With Alexander Giesche's production Der Mensch erscheint im Holozän, he was invited to the Berlin Theatertreffen in 2020.
Appeared in
										Das Internet
										Der Mensch 
erscheint im Holozän
										Liars!
										AFTERHOUR
										Der Mensch 
erscheint im Holozän
										My Year of Rest
and Relaxation
										AFTERHOUR
										Der Mensch 
erscheint im Holozän
										Momo
										Monkey off My Back or the Cat’s Meow
										Performers Rule:
Wake Up Call
										Performers Rule: 
About Endlessness
										Momo
										Monkey off My Back or the Cat’s Meow
										My Heart Is Full 
of Na-Na-Na
										Riesenhaft in Mittelerde™
										SHZ-Lesereihe #3:
Theresia Enzensberger AUF SEE
										Der Mensch 
erscheint im Holozän
										Der Sturm
										Leben des Galilei
										Moise und die Welt der Vernunft
										Monkey off My Back or the Cat’s Meow
										My Heart Is Full 
of Na-Na-Na
										Riesenhaft in Mittelerde™
										Sonne Extended - The End									
Connected journal posts
					
										
										Hyperlinks: Maximilian Reichert
										Und dann habe ich gelesen, dass Kompost sexy ist