Die Verlobung in St. Domingo – Ein Widerspruch
Revolution is raging in Haiti. After more than a hundred years of slavery, the subjugated populace is fighting for freedom. One night, young Gustav, a nobleman from Switzerland, knocks at the door of Toni, foster daughter of one of the revolutionary leaders, asking for protection while escaping from the revolutionary troops… Toni must decide – there’s no time for revolutionary romanticism. In “Die Verlobung in Santo Domingo” (Betrothal in St. Domingo, 1811), Heinrich von Kleist’s novella published shortly after the French Revolution, the author recounts a dramatic love story against a backdrop of revolution, and describes two clear fronts: “white” versus “black,” good versus evil, order versus anarchy. Yet how will the story go when it isn’t clear who is friend or foe when it comes to enlightened values? In his new play, Necati Öziri contradicts supposedly unambiguous positions and interprets the story with a new level of opposition that forces us to engage in a modern-day discussion about violence and counterviolence.
- Direction
- Sebastian Nübling
- Set Designer
- Muriel Gerstner
- Sound
- Lars Wittershagen
- Costume Designer
- Pascale Martin
- Dramaturg
- Anna Heesen
- Lighting Designer
- Michel Güntert
- Live-Kamera
- Robin Nidecker
- Assistant Director
- Clara Dobbertin
- Assistant Stage Designer
- Sandra Antille
- Assistant Costume Designer
- Iva Ivanova
- Internship Direction
- Peter Gruber
- Stage Manager
- Ralf Fuhrmann
- Prompter
- Katja Weppler
- Theatre Education
- Manuela Runge
- Literary Assistant
- Benjamin Große